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sounds / sights
stuff / services
schedule / shop
shout / story

sounds

sights

stuff

mics

software/controllers

software/controllers

Dynamics

Shure SM7B, SM57s, SM58s, Beta 52A, 

AKG D12,  Sennheiser MD421-II, PV-100s, 

Electro-Voice RE20, Audix OM5


LDCs

AKG 414, AKG P420, 

Warm Audio WA14s (CK12 clone), 

WA87 (U87 clone), Sterling ST51, Rode NT-2 


SDCs

Shure SM81s, KSM 141s, 

MXL V67Ns, Samson CO2s, 

Audio Technica Pro 35, Sony ECM-MS907


Ribbons

Cascade Fathead IIs, 

SE VR1 

Avantone CR-14

MXL R144

software/controllers

software/controllers

software/controllers

DAWs

Logic Pro, Pro Tools, Ableton, Studio One, Premiere, and others


Plugins

Izotope, Native Instruments, Waves, Soundtoys, Spitfire, Plugin Alliance, FabFilter, TB Pro Audio, Analog Obsession, Acon Digital, Arturia, Accusonus, Valhalla, Overloud, Overtone DSP, Kilohearts, Lexicon, Cymatics, Caelum Audio, Baby Audio, Audiority, Nembrini, Soundspot, ToneBoosters, Wavesfactory, Tone Empire, Mastering the Mix, Voxengo, Slate Digital, Softube, Celemony, Antares, Focusrite, XLN, D16, Toontrack, IK Multimedia, Sound Radix, AudioThing, Sony 360 Reality Audio


Controllers

iCon Platform M+, Korg NanoKontrol, AKAI MPK, Native Instruments Maschine, M-Audio Keyrig, Novation Launchpad

monitors

software/controllers

converters/outboard

Speakers

Focal Alpha 65, 

Yamaha HS8,

KRK Rokit 5, 

M-Audio Studiophile AV40 


Headphone system

PreSonus HP4 headphone amp, 

Sennheiser HD 280 Pro, 

Audio Technica ATH-M40X, 

Sony MDR-7506, 

AKG K240

Beyerdynamic DT 770


Treatments

Custom absorption panels & traps

Primitive root, quadratic & fractal diffusers

converters/outboard

converters/outboard

converters/outboard

Focusrite Clarett 4pre

Scarlett OctoPre

Universal Audio 710 Twin-Finity preamp

Warm Audio WA73 preamp (1073 mod)

CloudLifter CL-2 mic activator/preamp

Warm Audio EQP-WA Tube EQ (Pul-Tec mod)

WA-2A Tube Octo Compressor (LA-2A mod)

Black Lion "Bluey" Limiting Amp (1176 mod)

Black Lion PGXLM power conditioner


cabs/FX

converters/outboard

instruments

Combos

Fender Deluxe, Twin Reverb, Blues Jr., Orange Rocker 15, Ampeg BA115,  Peavey Classic 212


Pedals

Boss SD-2, Boss DD-2, Boss TR-2, DOD FX40B, 

MXR Phase 90, DigiTech WH1, Line 6 DL4, 

Dunlop Crybaby,  TC Flashback, ProCo RAT, 

Death by Audio Echo Dream, DBA Fuzz War

instruments

converters/outboard

instruments

Strings

Gibson ES-135, Taylor 214ce, Samick G Bennett D1, Yamaha 1974 FG300, FG400, A1R, APX600, mandos, ukulele, electric CBG, Fender P-bass


Brass: Benge 3X+ trumpet, YFH-6310Z flugel


Skins: Pearl Export 725S, misc. hand perc.

Keys: Behr Bros. 1881 upright grand

services & rates

Pre-production

Artist development, concept design, song selection/cultivation + copyright, publishing & master ownership considerations

Producer fee

$300-$2500/song* + pointsª

Covers A&R, pre-production process, project management, personnel mgmt, administrative duties. 

  • *Project-dependent.  
  • ªpoints and/or master ownership TBD.

Songwriting/arranging

composition copyright share

When producer contributes significant creative input (composition, arranging, songwriting, beat-making), appropriate copyright / publishing rights agreements apply.

Licensing

$50-$3000+/piece, and/or points*

Sync, visual, interactive, podcasts, audiobooks, etc. 

*Where ToneHive owns the master and/or publishing, licensing fee ranges depend on audience size, and type of use:  

  • Pre-existing track (single use): $50-$200+
  • Pre-existing track (perpetual): $250+ 
  • Custom track (non-exclusive): $300-$1000+
  • Exclusive use of custom track: $500-$3000+

If a label owns the master, secondary market share negotiated in producer agreement.   

Composing/sound design

≤15%, or per min

For short & feature films, TV, interactive

Typically 5-15% of project budget, or 

$50-2000 per finished audio minute


Recording

Setup/breakdown, file mgmt

$50 one-time fee*

*waived if keeping all production in-house.

Studio time (in-house)

$50/hr

Includes engineer. Bulk discounts:

- $225 half-day (5 hrs), $425 day rate (10 hrs)

Additional engineer

$30/hr

(if applicable)

Asst. engineer/admin

$15/hr/each

(for larger sessions, if applicable)

Reamping

$50/track

Guitars, bass, keys, and more

Session musicians

Case-specific

(upon request)


Post-production

Editing, mixing, mastering for music. Post-production for dialogue and other audio

Mixing (music)

$200+/song*

*Up to 50 tracks; up to 5 minutes duration. 

- $5 per additional track; $15 per additional minute.

- 4-6 song EP: 10% off

- 7+ song LP: 15% off

Mastering (music)

$75/song*

*Up to 5 minutes. $10 per additional minute. 

- EP: 10% off, LP: 15% off

- Mixing AND mastering: additional 10% off

Editing (music)

$50/hr, or by type ($25 minimum)

Comping, pitch, quantization, replacement, etc. 

Per track up to 5 minutes, by type:

  • Comping/Replacement: $10/track
  • Timing: $10/track
  • Pitch: $15/track

Editing (dialogue & other)

$50/hour, or $2.50/audio minute ($20 minimum)

podcasts, V/O, audiobooks, video

Billed hourly, or by finished minute

Mixing + Mastering (other)

$50/hour, or $2.00/audio min ($15 minimum)

Restoration/repair/recovery

$50/hour, or $3/audio min, per process, per track ($25 minimum)

Noise removal, spectral recovery & repair, dialogue isolation, stem separation, sibilance, plosives, clicks, pops, crackle, wind,  rustle, hiss, hum, clipping, squeaks, flutter from old tape/vinyl, etc.

schedule

Lock it in!

shout

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story

James Donahue, Owner

James is a Master of Music with a degree in Production from Berklee College of Music, multi-instrumentalist, vocalist, songwriter, composer, arranger, recording engineer, mixer, and producer from Portland, ME. He has spent the majority of his  career based out of New England and NYC, where he also worked as a promoter, personal & tour manager, agent, studio manager, and publicist. Some of his activities have been featured in the New York Times, Village Voice, Downbeat, NPR, Wall Street Journal, Gawker, and Time Out.


As an International Relations undergrad at Brown, James also studied theory, transcription & analysis, and improvisation with Ed Tomassi and Dave Zinno; helped design music curricula; composed and traveled with big band; and played in rock, jazz, merengue, salsa, soul, hip hop, R&B, and electronic groups. 


He has been blessed to shared the stage and/or studio with some amazing world-class talents, like: Wynton Marsalis & Lincoln Center Jazz Orchestra, Herbie Hancock, Joe Lovano, Ryan Zoidis (Soulive, Lettuce), Bob Mintzer, Johnny Dankworth & Cleo Laine, Stu Mahan (Eric Krasno, Lettuce, London Souls), Dave Harrington (Darkside/ARMS), Adam Agati (Ludacris, Marcus Miller, Cory Henry / Funk Apostles), Brady Watt (Talib Kweli, DJ Premier), Daru Jones (Talib Kweli, Jack White), Bryan Ladd, Chris Gagne (Sean Jones, George Garzone), Nick Falk (Hiss Golden Messenger, The Wood Brothers, Molly Tuttle, Dori Freeman), Jeff Prystowksy (Low Anthem), Burniss Travis (Q Tip, Robert Glasper, Cory Henry), Lyle Divinsky (The Motet), Carlos de Leon (Tito Puentes, Machito Grillo), Louis Cato (Snarky Puppy, Jon Batiste/Late Show), Louis Fouché (Jon Batiste/Late Show, Eddie Palmieri), to name a few...

"Fantastic...musicianship, creativity, and professionalism beyond my expectations. On top of it all, a pleasure to work with, even across the 5,000 miles that separate us physically. Looking forward to more projects that soar." 

⭐️⭐️⭐️⭐️⭐️ - Joe W., songwriter and Emmy award-winning filmmaker

"Absolutely phenomenal. James' attention to detail, craftsmanship, and dedication to quality is everything you'd hope for and more. It was a joy to work with him and I can't recommend him highly enough."

⭐️⭐️⭐️⭐️⭐️  - Dom F., composer and author

"Holy s***, this track sounds SO much better. It's like it went from being two-dimensional to three-dimensional"

- Matthew M., artist and songwriter

"...gave me TRIPLE what I asked for. Exceeded my expectations and delivered an amazing product. Thank you!"

- Tami B., lyricist

"...James [has] a lot of energy...and can actually play too. There is not a trace of disillusionment there."

- Wayne K., guitarist (source: Downbeat, 10/08)

"Best collaborator in years." 

- K.B., artist whisperer (Rihanna, Michael Jackson, Banks, 6lack)

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